New on DP's channel strip are in-line EQ and dynamic controls - essentially these are just default inserts that can be switched on and off as required, which is a neat aid to working quickly and efficiently. What's new?Ī new window tab gives you direct access to the channel strip of the selected track, much like in Logic. This is quicker than opening and closing separate projects because shared samples, etc, don't have to be reloaded. You can have any number of Chunks open within a project and each can consist of individual songs or cues. Worthy of special note is the aforementioned Chunks feature - it's this that makes DP so great for live playback, film scoring and other sound design-based work. On a more positive note, the consolidated window has improved no end from earlier versions, and with a bit of delving, it's not hard to get your head around the arrangement and customisation of the various tabbed window options. Motu digital performer 7 review windows#Proprietary language for common elements ('Sound Bites' for audio, 'Chunks' for a group of open songs) hampers understanding, and the plethora of confusing windows can be a frightening prospect to a newbie. As with any software, it's bound to take a little time to become familiar with its way of working, but MOTU doesn't always make it easy for newcomers to fathom its app. One area that's always been criticised in DP is the layout of its interface. There are also instant beat-slicing and audio quantising functions, which can give great results." "DP's audio recording, editing, grouping and so on are all handled very elegantly.
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